In a film mostly involved with plot, there are two scenes that are irrelevant but charming. Uncanny how when he talks, his mouth looks like Murray's. Garfield looks like neither a cartoon nor a real cat, but like something in between - plump, squinty and satisfied.
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Garfield is animated, the other animals and the humans are real, and the movie does a convincing job of combining the two levels. Garfield talks all through the movie (this is one of Murray's most talkative roles), but only we can hear him that's the equivalent of his thought bubbles in the strip.
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And they've also solved the perplexing problem of how to integrate a cartoon cat into a world of real humans and animals. If they hadn't gotten Garfield right, nothing else would have mattered. The Davis strip is not about a story but about an attitude.
Although Garfield claims "I don't do chases," the movie does have a big chase scene and other standard plot ingredients, but it understands that Garfield's personality, his behavior, his glorious self-absorption, are what we're really interested in. The filmmakers obviously understand and love Garfield, and their movie lacks that sense of smarmy slumming you sometimes get when Hollywood brings comic strips to the screen. The movie, based on the comic strip by Jim Davis, has been directed by Peter Hewitt and written by Joel Cohen and Alec Sokolow. Whether Garfield is able to break into and out of the pound, save Odie, expose Chapman and reunite Jon with both the dog and Garfield's own noble presence, I will leave for you to discover. He thinks maybe using a dog might bring him national exposure, tells the little old lady he is Odie's owner, and as a training strategy, gives him electrical shocks from a cruel collar. There's a parallel plot involving the talentless Happy Chapman ( Stephen Tobolowsky), who hosts a TV show with a pet cat. He steers the dog outdoors and, dogs being dogs, Odie chases a car and then another one, and gets lost, and is picked up by a little old lady, and then ends up in a pound. Being Garfield, he expresses his displeasure not with a humiliating public display, but by subtle subterfuge. Garfield is shocked and astonished to have to share pillow space with a dog, not to mention quality time with Jon ("You're not just my owner - you're my primary care-giver").
In this case, the other POV belongs to Odie, a dog that is given to Jon ( Breckin Meyer), Garfield's owner, by his sexy veterinarian, Dr.